Rogers wished to make his sculptures available and affordable to the widest possible audience. He advertised extensively, established a factory for large-scale production, and took great pains to ship the finished pieces intact to locations all over the country. Often selling for $15 apiece, Rogers’s works became commonplace in the homes of middle- and upper-class Americans in the later nineteenth century, an era when most Americans had little access to works of art, or even serviceable reproductions.
The Nadelmans’ acquisitions spanned a wide geographic range and a great variety of media—furniture, sculpture, paintings, ceramics, glass, iron, pewter, drawings, watercolors and household tools. Beginning in 1926, they displayed the collection in their Museum of Folk and Peasant Arts, built on their estate in Riverdale, New York. The first museum in the United States devoted exclusively to folk art, it was also the first in the world to focus on the European origins of American folk art.
The New-York Historical Society Museum and Library houses a treasure trove of materials relating to the founding of our country, the history of art in America, and the history of New York and its people. The Museum houses more than 60,000 works and artifacts, including fine art, decorative art, historical artifacts, and ephemera. Fine art holdings include renowned Hudson River School landscapes; masterpieces of colonial and later portraiture; John James Audubon’s watercolors for The Birds of America; an encyclopedic collection of sculpture; and much more.
The Henry Luce III Center for the Study of American Culture will be closed for renovations from August 31, 2014 through December 2016. Please check back in the fall for details of our exciting new galleries and installations.