Beauty’s Legacy: Gilded Age Portraits in America

Sep 27 2013 - Mar 9 2014

Beauty’s Legacy: Gilded Age Portraits in America examines the remarkable critical and popular resurgence of portraiture in the United States during the late-nineteenth and early-twentieth century. The exhibition —presenting over sixty works of art as well as period photographs and graphic materials, all from the New-York Historical Society—will investigate the strong cultural and social legacy of the American portrait tradition, with particular emphasis upon the New York sitters so well represented in New-York Historical's rich collection. With the amassing of great fortunes founded on industrial expansion, came the impetus to document the appearance of those who propelled and benefited from burgeoning wealth, thus echoing a cultural pattern reaching back to the colonial era.

Théobald Chartran (French, 1849 –1907), James Hazen Hyde (1876-1959), 1901. Oil on canvas. New-York Historical  Society, Gift of James Hazen Hyde, 1949.1

Beauty’s Legacy will include portraits of prominent New York sitters including Emma Thursby, Samuel Verplanck Hoffman, Mary Barrett Wendell, Reverend Henry Codman Potter, and Mary Gardiner Thompsonby done by such American artists as John Singer Sargent, James Carroll Beckwith, George Peter Alexander Healy, Daniel Huntington, Eastman Johnson, and Benjamin Curtis Porter.

Miss Marie Reed (ca. 1868-1893)

Title
Miss Marie Reed (ca. 1868-1893)
Date 
1892
Medium 
Watercolor on ivory
Dimensions 
Overall: 2 1/2 x 2 in. ( 6.4 x 5.1 cm )
Credit Line 
Gift of the Estate of Peter Marie
Object Number 
1905.206
Marks 
inscribed: paper backing: "Miss Reed/Paillet/6 Bd de Clichy/Paris."signed and dated: "Paillet/1892"
Gallery Label 
The subject was one of the four daughters of Mr. and Mrs. John Van Dussen Reed of New York and Paris.
Due to ongoing research, information about this object is subject to change.

Beauties of the Gilded Age: Peter Marié's Miniatures of Society Women

Nov 11 2011 - Sep 9 2012

Second Rotation: March 13, 2012 - July 8, 2012
Third Rotation: July 10, 2012–September 9, 2012
Between 1889 and 1903, New York socialite Peter Marié (1825–1903) commissioned portrait miniatures of women whom he believed epitomized female beauty. His collection of nearly 300 watercolor-on-ivory miniatures stands today as a vivid document of New York’s Gilded Age aristocracy. Beauties of the Gilded Age presents likenesses of many prominent women of the era, including legendary socialite Edith Minturn, athlete Edith Hope Goddard, and social activist Emeline Winthrop. The fragile and rarely exhibited portraits will be displayed in four-month rotations in a special new gallery designed for intimate viewing.

Fernand Paillet (1850-1918), Lina de Trobriand Post (1867-1951), 1890. Watercolor on ivory. New-York Historical Society, Gift of the Estate of Peter Marié, 1905.259

Thomas Brackett Reed: Czar of the Gilded Age

Speaker: 
James Grant
Beverly Gage (moderator)
Tue, 06/07/2011 - 7:30pm

Paintings >

Teaser: 

The New-York Historical Society houses an outstanding collection of over twenty-five hundred American paintings—primarily portraits, genre scenes and landscapes—dating from the colonial period through the twentieth century, as well as a select number of European works. It includes the personal collection of the New York merchant and pioneering art patron Luman Reed, as well as the collection of Robert L. Stuart, another nineteenth-century New York philanthropist and art collector.

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Teaser: 

The New-York Historical Society Museum and Library houses a treasure trove of materials relating to the founding of our country, the history of art in America, and the history of New York and its people. The Museum houses more than 60,000 works and artifacts, including fine art, decorative art, historical artifacts and ephemera. Fine art holdings include renowned Hudson River School landscapes, masterpieces of colonial and later portraiture, John James Audubon’s watercolors for The Birds of America, an encyclopedic collection of sculpture and much more.

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Creative: Tronvig Group