Museum Open Monday

The New-York Historical Society Museum will be open Monday, December 22. For details, please visit our calendar.

William Trost Richards: The History of a Reputation

Speaker: 
Linda S. Ferber
Wed, June 5th, 2013 | 6:30 pm

Event Details

Richards's career spanned the second half of the nineteenth century and the first five years of the twentieth. During these turbulent yet productive years, he created some of the most important and beautiful paintings in the history of American art. From 1854 through the 1860s, Richards concentrated upon landscapes of Pennsylvania and New York, earning his early reputation as a painter equally adept in the styles of the mainstream Hudson River School and the reformist American Pre-Raphaelites.

From Colony to Nation: 200 Years of American Painting at the New-York Historical Society

Jun 7 2013 - Sep 8 2013

This exhibition of American art, drawn from the New-York Historical Society's venerable collections, presents a chronological and thematic survey of masterworks ranging in date from 1720 to 1917. Included are Colonial, Federal, and Gilded Age portraits; Hudson River School landscapes; marine and maritime paintings, with a focus on works inspired by the War of 1812; and genre, history, and narrative subjects.

Thomas Buttersworth (English, 1758-1842), Escape of H.M.S. Belvidera from the U.S. Frigate President, ca. 1815, Oil on canvas, 16 x 22 in. (40.6 x 55.9 cm), Bequest of Irving S. Olds, 1963.58

Woven throughout the installation are a medley of artist portraits that traces American masters from Benjamin West’s London studio to the mid-nineteenth century ateliers of New York. Highlights include works by Gerardus Duyckinck, Charles Willson Peale, Gilbert Stuart, Benjamin West, Thomas Cole, Asher B. Durand, Thomas Birch, Thomas Buttersworth, William Sidney Mount, John F. Kensett, John Singer Sargent and Childe Hassam.

World War II and New York: Walking Tour of Lower Manhattan

Speaker: 
Cal Snyder
Lucy Oakley
Sun, June 2nd, 2013 | 11:00 am

Note: This event is sold out

 

EVENT DETAILS

From Battery Park to the Army Ocean Terminal, New York Harbor vividly records the city’s role in WWII. Join us to hear the story of the harbor and its people in wartime and explore how New York City remembers those who fought to protect the free world. Walking tours are limited to 35 guests per tour. Please buy tickets in advance.

Princess Elizabeth in the Tower

Title
Princess Elizabeth in the Tower
Date 
1860
Medium 
Oil on canvas
Credit Line 
New-York Historical Society, The Robert L. Stuart Collection
Object Number 
S-187
Due to ongoing research, information about this object is subject to change.

The Day Line: Holiday on The Hudson

Jul 1 2005 - Oct 16 2005

The Hudson River Day Line was the favorite way for New Yorkers to travel between Albany and New York City for a day in the country for more than 80 years. The exhibit highlights the Library's collection of photographs, advertising mockups, schedules, guidebooks, menus and other ephemera relating to the Hudson River Day Line, principally between 1890 and 1948.

Making American Taste: Narrative Art for a New Democracy

Nov 11 2011 - Sep 9 2012

Making American Taste features fifty-five works from the New-York Historical Society’s collection that cast new light on both the history of American art and the formation of American cultural ideals during a crucial period from the 1830s to the late 1860s. By integrating history, literary and religious subjects with now better-known examples of rural and domestic genre, the exhibition explores the broad range of styles and narrative themes that appealed to nineteenth-century Americans seeking cultural refinement.

Click on the painting below to learn about the people depicted.

Louis Lang (1814–1893), Return of the 69th (Irish) Regiment, N.Y.S.M. from the Seat of War, 1862-1863. Oil on canvas. New-York Historical Society, Gift of Louis Lang, 1886.3. Photo courtesy Williamstown Art Conservation Center, 2011

The exhibition includes Louis Lang’s The Return of the 69th (Irish) Regiment, N.Y.S.M. from the Seat of War, a Civil War masterpiece rediscovered, as well as works by such canonical artists as Benjamin West, Asher B.

Nature and the American Vision: The Hudson River School

Sep 21 2012 - Feb 20 2013

Please note the closing date has been changed from February 21
After a national tour, the forty-five iconic works, including Thomas Cole’s five-part series The Course of Empire and other masterworks by Cole, John F. Kensett, Albert Bierstadt, Jasper F. Cropsey, Asher B. Durand and others will once again be on display at the New-York Historical Society. This exhibition showcases the extraordinary depth and richness of the New-York Historical Society’s landscape collections, especially paintings by artists of the Hudson River School. Rising to eminence in New York during the mid-nineteenth century, this loosely knit group of artists, together with like-minded poets and writers, forged a self-consciously “American” landscape vision and literary voice. Both were grounded in the exploration of the natural world as a resource for spiritual renewal and as an expression of cultural and national identity. 

Thomas Cole (1801–1848), Catskill Creek, NY, 1845. Oil on canvas. New-York Historical Society, The Robert L. Stuart Collection, S-157

The Hudson River and the natural wonders along its banks had a long history of associations with earlier inhabitants, including Native Americans, the Dutch, and the British. Key battles of the American Revolution were fought along the river’s course. Such historical associations amid the evocative terrain of the Catskills, Adirondacks, and White Mountains enriched regional sites throughout the Hudson River Valley and New England, inspiring homegrown schools of painting and literature grounded in their scenery and history.

Making American Taste: Narrative Art for a New Democracy

This tour is now fully booked

Making American Taste: Narrative Art for a New Democracy provides a new perspective on American art by approaching narrative subject matter through the lens of taste as it was defined roughly from 1825 to 1870, when debates over the role of American art addressed not just content, but the role art should take outside of the European tradition. By integrating history, literary and religious subjects with now better-known examples of rural and domestic genre, this exhibition introduces to modern audiences the broad range of styles and narrative themes which appealed to nineteenth-century Americans seeking cultural refinement.
 

William Sidney Mount (1807-1868), Bargaining for a Horse (Farmers Bargaining), 1835. Oil on canvas. New-York Historical Society, Gift of the New-York Gallery of the Fine Arts, 1858.59

The exhibition drawn from the New-York Historical Society’s collection of narrative art includes fifty-five works by such canonical artists as Benjamin West, Asher B. Durand, William Sidney Mount, and Eastman Johnson. Additionally, significant works will also be on exhibition by artists who were major figures in their own time (such as Daniel Huntington, Henry Peters Gray and T. H. Matteson), but who have been virtually ignored in current American art surveys.

Nature and the American Vision: The Hudson River School

Nature and the American Vision: The Hudson River School features forty-five iconic works including Thomas Cole’s five-part series: The Course of Empire and other masterworks by Cole, John F. Kensett, Albert Bierstadt, Jasper F. Cropsey, Asher B. Durand and many others.

Thomas Cole (1801-1848), Catskill Creek, N.Y., 1845. Oil on canvas. The New-York Historical Society, The Robert L. Stuart Collection, S-157

Tour Schedule

Venue Dates
Fenimore Museum of Art (Cooperstown, NY) June 29, 2013-September 29, 2013
Los Angeles County Museum of Art (LACMA) December 7, 2014 – June 7, 2015

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The Hudson River to Niagara Falls: Nineteenth-century American Landscape Paintings from the New-York Historical Society

Drawn from the treasures of the New-York Historical Society’s permanent collection, Hudson River Masterpieces showcases nineteenth-century landscape paintings by the artists of the Hudson River School. The exhibition includes celebrated works by Thomas Cole and Asher B. Durand, founders of the American landscape school. Other featured artists include: John Frederick Kensett, Jasper Francis Cropsey, Francis Augustus Silva, Sanford Robinson Gifford, John W. Casilear, Jervis McEntee, William T. Richards and William L. Sonntag.

Jasper Francis Cropsey (1823-1900), Greenwood Lake, New Jersey, 1871. Oil on canvas. New-York Historical Society, The Robert L. Stuart Collection, S-156

Tour Schedule

Venue Dates
The Phillips Museum of Art (Lancaster, PA) September 13, 2013 – December 15, 2013

 

 

Resources

A richly illustrated survey of the New-York Historical Society's landscape collection,&

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