In honor of the installation of the ceiling from Keith Haring’s famous Pop Shop above the admissions area in the Robert H. and Clarice Smith New York Gallery of American History, the New-York Historical Society, in collaboration with the Keith Haring Foundation, has created a rotating display devoted to the Pop Shop in the Henry Luce III Center for the Study of American Culture. The ceiling is a gift from the Haring Foundation, and all items in the Luce Center display are on loan from Foundation.

For those who lost partners, children, siblings, parents, and friends to HIV/AIDS in the later years of the twentieth century, the memory of grief, fear, and mystery which pervaded New York at the beginning of the epidemic remains vivid. But for many New Yorkers and others today, this early period from 1981 to 1985 is virtually unknown. The activist movements that changed the nation’s approach to catastrophic disease have overshadowed the panic of this period when a new and fatal enemy to public health was in its earliest stages and no one knew how to combat it.

In honor of the installation of the ceiling from Keith Haring’s famous Pop Shop above the new admissions area in the Robert H. and Clarice Smith New York Gallery of American History, the New-York Historical Society, in collaboration with the Keith Haring Foundation, has created a rotating display devoted to the Pop Shop in the Henry Luce III Center for the Study of American Culture. The ceiling is a gift from the Haring Foundation, and all items in the Luce Center display are on loan from Foundation.