Please note the closing date has been changed from February 21
After a national tour, the forty-five iconic works, including Thomas Cole’s five-part series The Course of Empire and other masterworks by Cole, John F. Kensett, Albert Bierstadt, Jasper F. Cropsey, Asher B. Durand and others will once again be on display at the New-York Historical Society. This exhibition showcases the extraordinary depth and richness of the New-York Historical Society’s landscape collections, especially paintings by artists of the Hudson River School. Rising to eminence in New York during the mid-nineteenth century, this loosely knit group of artists, together with like-minded poets and writers, forged a self-consciously “American” landscape vision and literary voice. Both were grounded in the exploration of the natural world as a resource for spiritual renewal and as an expression of cultural and national identity. 

Drawn from the treasures of the New-York Historical Society’s permanent collection, Hudson River Masterpieces showcases nineteenth-century landscape paintings by the artists of the Hudson River School. The exhibition includes celebrated works by Thomas Cole and Asher B. Durand, founders of the American landscape school. Other featured artists include: John Frederick Kensett, Jasper Francis Cropsey, Francis Augustus Silva, Sanford Robinson Gifford, John W. Casilear, Jervis McEntee, William T. Richards and William L. Sonntag.

 
The American Landscapes of Asher B. Durand, featuring over 100 works including paintings, drawings, engravings, and daguerreotypes, recreates Durand’s milieu by displaying his own works in the context of those by, or portraying, his circle of fellow artists, writers, and patrons. Asher Brown Durand (1796-1886) was one of the most important American artists of the 19th century. He was a central figure as an artist, as a founder of art institutions, and as the acknowledged leader of the American landscape school from his election as president of the National Academy of Design in 1845 until his death at the age of 90. Durand’s six-decade career began with the earliest efforts of the American artists, writers and patrons to construct a national cultural identity. Durand participated from the very beginning: first as a master banknote and reproductive engraver; then as a portrait painter recording the features of founding fathers as well as the mercantile and cultural elite of antebellum New York before turning to landscape painting.