Note: This program is sold out
Join Barry Lewis on a journey through New Amsterdam/New York in the first 200 years of its existence, when “uptown” meant Washington Square, Downtown meant both the “counting houses” of South Street as well as the corporate headquarters on Wall, and when street systems and living patterns were first laid down for the future city we know today.
Works have been selected to present a concentrated, yet complete, overview of Smith’s signature subjects, as well as the evolution of her artistic vision over more than three and a half decades. The exhibition will be accompanied by a fully illustrated publication, featuring an essay by eminent writer and art historian Avis Berman based upon extended interviews with the artist. The exhibition will also feature an audio tour on the same format, which will allow visitors to listen to Clarice Smith discussing her own works.
Woven throughout the installation are a medley of artist portraits that traces American masters from Benjamin West’s London studio to the mid-nineteenth century ateliers of New York. Highlights include works by Gerardus Duyckinck, Charles Willson Peale, Gilbert Stuart, Benjamin West, Thomas Cole, Asher B. Durand, Thomas Birch, Thomas Buttersworth, William Sidney Mount, John F. Kensett, John Singer Sargent and Childe Hassam.
In the nineteenth century, the place of the arts in a democracy was a hotly debated topic in the United States. The new exhibition Making American Taste: Narrative Art for a New Democracy integrates the broad range of styles and narrative themes — from history, literary and religious subjects to the more familiar rural and domestic genres — through which Americans were expected to attain cultural refinement. Join Senior Art Historian Linda S.
The Luce Center houses collections formerly kept in offsite storage. It offers a behind-the-scenes look at a working museum collection. In addition to a rich array of objects, small focus exhibitions highlight specific strengths of the collection and offer a historical context for current cultural, economic, political and social issues. Free handheld guides and cell phone tours allow visitors to hear the stories behind the objects on view.
The Hudson River and the natural wonders along its banks had a long history of associations with earlier inhabitants, including Native Americans, the Dutch, and the British. Key battles of the American Revolution were fought along the river’s course. Such historical associations amid the evocative terrain of the Catskills, Adirondacks, and White Mountains enriched regional sites throughout the Hudson River Valley and New England, inspiring homegrown schools of painting and literature grounded in their scenery and history.
The Hudson River to Niagara Falls: Nineteenth-century American Landscape Paintings from the New-York Historical Society
|The Phillips Museum of Art (Lancaster, PA)||September 13, 2013 – December 15, 2013|
A richly illustrated survey of the New-York Historical Society's landscape collection,&
One of the jewels in the Museum’s crown is its drawing collection, numbering over 8,000 sheets. Collected since 1816, this distinctive trove is the country’s earliest public drawing collection. It is also one of the finest, whose strength resides in its unparalleled late eighteenth- and early nineteenth-century material to furnish a comprehensive survey of American art from its inception, dominated by European artists, up through the 1860s, by which time native-born artists had asserted an American identity.