Museum Open

The New-York Historical Society will be open on Memorial Day, Monday, May 27 from 10am to 6pm

Black-billed Cuckoo (Coccyzus erythrophthalmus), Study for Havell pl. no. 32

Title
Black-billed Cuckoo (Coccyzus erythrophthalmus), Study for Havell pl. no. 32
Date 
1822
Medium 
Watercolor, graphite, pastel, gouache, and black ink with scratching out and touches of glazing on paper, laid on card
Dimensions 
Paper: 24 3/16 x 19 7/16 in. (61.4 x 49.4 cm)Mat: 35 x 27 in. (88.9 x 68.6 cm)
Description 
Female left; male right
Credit Line 
Purchased for New-York Historical by public subscription from Mrs. John J. Audubon
Object Number 
1863.17.32
Inscriptions 
Inscribed at lower left of center in graphite[erased]: "no. 32"; at lower right: "11 1/4[?] Inches / 14[?] 3/4 " -- " "; at lower right: "No. 33"; at middle right: "Weight...[illegible]"; above: "Male / 1"; at left of center: "2. female"
Gallery Label 
The background flora has been identified as southern magnolia (Magnolia grandiflora).
Due to ongoing research, information about this object is subject to change.

Sheep in Pasture

Title
Sheep in Pasture
Date 
1862
Medium 
oil on panel (?)
Dimensions 
Overall: 10 x 13 in. ( 25.4 x 33 cm )
Credit Line 
The Robert L. Stuart Collection, on permanent loan from the New York Public Library
Object Number 
S-129
Due to ongoing research, information about this object is subject to change.

European Landscape

Title
European Landscape
Date 
1845
Medium 
Oil on canvas
Dimensions 
Overall: 21 x 29 in. ( 53.3 x 73.7 cm )
Credit Line 
Gift of R. McAllister Lloyd
Object Number 
1969.26
Marks 
signature and date: LL: J. F. KENSETT, 1845
Bibliography 
Koke, Richard J., American Landscape and Genre Paintings in the New York Historical Society, Vol. II, New York: The New-York Historical Society, 1982, p. 239.
Due to ongoing research, information about this object is subject to change.

Cutting Ice, Rockland Lake, N.Y.

Title
Cutting Ice, Rockland Lake, N.Y.
Date 
ca. 1890
Medium 
oil on linen
Dimensions 
Unframed: 9 3/16 x 14 1/16 x 5/8 in. (23.3 x 35.7 x 1.6 cm)Frame: 17 3/4 x 24 x 3 in. (17 3/4 x 24 x 3 in.)
Credit Line 
Purchase
Object Number 
1973.11
Due to ongoing research, information about this object is subject to change.

Nature and the American Vision: The Hudson River School

Sep 21 2012 - Feb 20 2013

Please note the closing date has been changed from February 21
After a national tour, the forty-five iconic works, including Thomas Cole’s five-part series The Course of Empire and other masterworks by Cole, John F. Kensett, Albert Bierstadt, Jasper F. Cropsey, Asher B. Durand and others will once again be on display at the New-York Historical Society. This exhibition showcases the extraordinary depth and richness of the New-York Historical Society’s landscape collections, especially paintings by artists of the Hudson River School. Rising to eminence in New York during the mid-nineteenth century, this loosely knit group of artists, together with like-minded poets and writers, forged a self-consciously “American” landscape vision and literary voice. Both were grounded in the exploration of the natural world as a resource for spiritual renewal and as an expression of cultural and national identity. 

Thomas Cole (1801–1848), Catskill Creek, NY, 1845. Oil on canvas. New-York Historical Society, The Robert L. Stuart Collection, S-157

The Hudson River and the natural wonders along its banks had a long history of associations with earlier inhabitants, including Native Americans, the Dutch, and the British. Key battles of the American Revolution were fought along the river’s course. Such historical associations amid the evocative terrain of the Catskills, Adirondacks, and White Mountains enriched regional sites throughout the Hudson River Valley and New England, inspiring homegrown schools of painting and literature grounded in their scenery and history.

Audubon’s Aviary: Part I of the Complete Flock

Mar 8 2013 - May 19 2013

To celebrate the sesquicentennial of the New-York Historical Society’s purchase of the Audubon avian watercolors and the the release of the lavishly illustrated book Audubon’s Aviary: The Original Watercolors for “The Birds of America”―published by the New-York Historical Society and Skira/Rizzoli and winner of a 2013 New York Book Show Award—the New-York Historical Society plans a sweeping three-part exhibition to showcase every masterpiece from its unparalleled collection of John James Audubon’s preparatory watercolor models for the sumptuous double-elephant-folio print edition of The Birds of America (1827–38). Over three years Audubon’s Aviary: The Complete Flock (Parts I–III), will feature all 474 stunning avian watercolors by Audubon in the collection, alongside engaging state-of-the-art media installations that will provide a deeper understanding of the connection between art and nature.

John James Audubon (1785-1851), Great Egret (Ardea alba), 1821. Watercolor, graphite, pastel, gouache, white lead pigment, black ink, and black chalk with selective glazing on paper, laid on card. New-York Historical Society, Purchased for the Society by public subscription from Mrs. John J. Audubon, 1863.18.30

The trilogy Audubon’s Aviary: The Complete Flock is a once-in-a-lifetime series (2013–2015) that will explore the evolution of Audubon’s dazzling watercolors in the order in which they were engraved. Visitors to New-York Historical will have the unique opportunity to view these national treasures sequentially and in their entirety for the first time—the same way his original subscribers received the Havell plates.

Nature and the American Vision: The Hudson River School

Nature and the American Vision: The Hudson River School features forty-five iconic works including Thomas Cole’s five-part series: The Course of Empire and other masterworks by Cole, John F. Kensett, Albert Bierstadt, Jasper F. Cropsey, Asher B. Durand and many others.

Martin Johnson Heade (1819-1904) , Study of an Orchid, 1872. Oil on canvas. The New-York Historical Society, The Robert L. Stuart Collection, S-112

Tour Schedule

Venue Dates
Amon Carter Museum (Fort Worth, TX) February 26–May 29, 2011
Peabody Essex Museum (Salem, MA) July 30–November 6, 2011
Columbia Museum (Colum
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