Dozens of all-black teams emerged during the Black Fives Era, in New York City, Washington, Pittsburgh, Philadelphia, Chicago, Atlantic City, Cleveland, and other cities where a substantial African American population lived. The Black Fives Era came to an end in the late 1940s with the growth in stature of black college basketball programs combined with the gradual racial integration of previously whites-only collegiate basketball conferences and professional basketball leagues.
Claire Yaffa, whose work has been featured in The New York Times and several other major publications, has worked for years to document an intensely intimate, behind-the-scenes look at medical institutions and their youngest patients, giving agency and voice to thousands of
individuals—particularly children—struggling with life-threatening illnesses. Among the institutions that Yaffa has worked with during her long
Vergara remarked about his work that “most murals and street portraits of Dr. King are ephemeral. Paint fades, businesses change hands and neighborhood demographics shift. Gradually, images reflecting the culture and values of poor communities are lost….Often, my photographs are the only lasting record of these public works of art.” This exhibition offers the opportunity to study the manner in which Martin Luther King, Jr.
We all have precious photographs and documents that we wish to preserve and treasure. But how to do it? Meet Alan Balicki, our Senior Conservator, who will share the tools and materials he uses to preserve the past here at New York City's oldest museum. Then work with a talented teaching artist to create a lovely, simple and sturdy family album to take home and get you started. Parents and children will work together to create an album that will showcase and preserve the images, documents and objects they value the most.
The exhibition will also highlight images from the Historical Society's own collection, especially the marvelous and little-known portfolio of 889 photographs taken from 1966 to 1973 by Herman N. Liberman Jr., a member of the New York Stock Exchange, who walked 502 miles in a serpentine pattern along every street in Manhattan, from river to river, recording every single house of worship then in existence, including the most modest storefront and parlorfront churches and synagogues.p>
The New-York Historical Society's exhibit Tunnel Vision: New York Subway Construction Photographs, 1900–1908, explores the logistical challenges and remarkable effort that went into what at the time, was the largest construction project in the city's history. The exhibition showcases 80 photographs, culled from more than 5,000 from 1900–1908 in the Historical Society's Subway Construction Photograph Collection, all of which were a gift from the New York City Board of Transportation in 1950.
Byrdcliffe is located in Woodstock, NY; a town known for its impact on social change through art, music and non-violent measures. Set against the background of a rapidly changing America, the exhibit concentrates on the arts and crafts created at Byrdcliffe from the colony's earliest days, until the death of co-founder and chief investor Ralph Whitehead in 1929. The colony drew especially large crowds for its 'Maverick' music festivals which were filled uninhibited, bohemian song and dance.
Milton Rogovin (b. 1909) is one of this nation's most accomplished and important social documentary photographers, although until now he's remained virtually unknown to the public outside of his adopted hometown of Buffalo, New York. His last New York City exhibition, Lower West Side, was at the International Center of Photography in 1976. At the age of 93 Rogovin continues to document the neighborhoods of Buffalo with passion, artistry and commitment.