In the twenty-first century, the world seems in constant crisis. In his new book, Richard N. Haass argues that only by getting its own house in order can the United States reclaim its role as the primary director of global events and maintain that role in a world of unprecedented chaos.
One of the jewels in the Museum’s crown is its drawing collection, numbering over 8,000 sheets. Collected since 1816, this distinctive trove is the country’s earliest public drawing collection. It is also one of the finest, whose strength resides in its unparalleled late eighteenth- and early nineteenth-century material to furnish a comprehensive survey of American art from its inception, dominated by European artists, up through the 1860s, by which time native-born artists had asserted an American identity.