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The New-York Historical Society will be open on Memorial Day, Monday, May 27 from 10am to 6pm

Florida Scrub-Jay (Aphelocoma coerulescens), Study for Havell pl. no. 87

Title
Florida Scrub-Jay (Aphelocoma coerulescens), Study for Havell pl. no. 87
Date 
1829
Medium 
Watercolor, graphite, pastel, and black ink with touches of gouache and selective glazing on paper, laid on card
Dimensions 
Paper: 29 3/8 x 20 15/16 in. (74.6 x 53.2 cm)Mat: 53 x 39 in. (134.6 x 99.1 cm)
Credit Line 
Purchased for New-York Historical by public subscription from Mrs. John J. Audubon
Object Number 
1863.17.87
Inscriptions 
Inscribed at lower left in brown ink: "No 18. Plate 87."; below in graphite: "Garrulus Floridanus / Florida Jay / Florida Keys / John J. A"; at lower center in brown ink: "Florida Jay / Garrulus Floridanus male 1 F. 2. / Diospyros virginiana / vulgo Persimon"; at lower right in graphite[erased]: "Diospyros Virginiana / vulgo Persimon"; lower bird numbered in brown ink: "2"
Gallery Label 
The background flora has been identified as Common persimmon (Diospyros virginiana)
Due to ongoing research, information about this object is subject to change.

Northern Bobwhite (Colinus virginianus) and Red-shouldered Hawk (Buteo lineatus), Study for Havell pl. no. 76

Title
Northern Bobwhite (Colinus virginianus) and Red-shouldered Hawk (Buteo lineatus), Study for Havell pl. no. 76
Date 
c. 1825
Medium 
Watercolor, pastel, graphite, black ink, oil, gouache, black chalk, collage, and outlining with a stylus on paper, with selective glazing on paper, laid on card
Dimensions 
Paper: 25 13/16 x 39 3/8 in. (65.6 x 100 cm)Mat: 39 x 53 in. (99.1 x 134.6 cm)
Description 
Immature hawk attacking male, female and young Bobwhites
Credit Line 
Purchased for New-York Historical by public subscription from Mrs. John J. Audubon
Object Number 
1863.17.76
Inscriptions 
Inscribed at upper right in brown ink: "No 16. plate 76. Published 1829[crossed out] 1830. / Virginian Partridge. / Males adult 1. / Do " -- Young -- 2. / Females adult -- 3 / Do "-- Young -- 4. / very Young birds 5. / perdix Virginiana"; 18 partridges numbered in brown ink as per preceding identification
Gallery Label 
Blades of grass in foreground pasted on
Due to ongoing research, information about this object is subject to change.

Black-billed Cuckoo (Coccyzus erythrophthalmus), Study for Havell pl. no. 32

Title
Black-billed Cuckoo (Coccyzus erythrophthalmus), Study for Havell pl. no. 32
Date 
1822
Medium 
Watercolor, graphite, pastel, gouache, and black ink with scratching out and touches of glazing on paper, laid on card
Dimensions 
Paper: 24 3/16 x 19 7/16 in. (61.4 x 49.4 cm)Mat: 35 x 27 in. (88.9 x 68.6 cm)
Description 
Female left; male right
Credit Line 
Purchased for New-York Historical by public subscription from Mrs. John J. Audubon
Object Number 
1863.17.32
Inscriptions 
Inscribed at lower left of center in graphite[erased]: "no. 32"; at lower right: "11 1/4[?] Inches / 14[?] 3/4 " -- " "; at lower right: "No. 33"; at middle right: "Weight...[illegible]"; above: "Male / 1"; at left of center: "2. female"
Gallery Label 
The background flora has been identified as southern magnolia (Magnolia grandiflora).
Due to ongoing research, information about this object is subject to change.

Copy of an Earlier Portrait of Baron Gaspard Gabriel De Gallatin (1758-1838)

Title
Copy of an Earlier Portrait of Baron Gaspard Gabriel De Gallatin (1758-1838)
Date 
1931
Medium 
Watercolor, gouache, and oil over touches of graphite on paper
Dimensions 
Overall: 10 1/4 x 8 3/4 in. (26 x 22.2 cm), oval
Description 
Portrait
Credit Line 
Bequest of Albert E. Gallatin
Object Number 
1952.371
Inscriptions 
Old mat inscribed in black ink: "OFFICIER EN AM
Due to ongoing research, information about this object is subject to change.

Swing Time: Reginald Marsh and Thirties New York

Jun 21 2013 - Sep 1 2013

With his calligraphic brushstrokes and densely cluttered, multi-figured compositions, Reginald Marsh recorded the vibrancy and energetic pulse of New York City. In paintings, prints, watercolors and photographs, he captured the animation and visual turbulence that made urban New York life an exhilarating spectacle. His work depicted the visual energy the city, its helter-skelter signs, newspaper and magazine headlines and the crowded conditions of its street life and recreational pastimes.

Reginald Marsh (1898-1954), Twenty Cent Movie, 1936. Egg tempera on composition board, 30 x 40 in. (76.2 x 101.6 cm). Whitney Museum of American Art, New York; Purchase 37.43 © 2011 Estate of Reginald Marsh / Art Students League, New York / Artists Rights Society (ARS), New York. Reproduction, including downloading this work, is prohibited by copyright law without written permission of Artists Rights Society (ARS), New York.

His subjects were not glamorous or affluent New Yorkers, but those in the middle and lower class—Bowery bums, burlesque queens, Coney Island musclemen, park denizens, subway riders and post-flapper era sirens. Marsh was fascinated by the crass glamour, gaudiness and sexuality these city inhabitants exhibited in public, as well as by the humanity expressed by those living under severe economic and social duress.

Audubon’s Aviary: Part I of the Complete Flock

Mar 8 2013 - May 19 2013

To celebrate the sesquicentennial of the New-York Historical Society’s purchase of the Audubon avian watercolors and the the release of the lavishly illustrated book Audubon’s Aviary: The Original Watercolors for “The Birds of America”―published by the New-York Historical Society and Skira/Rizzoli and winner of a 2013 New York Book Show Award—the New-York Historical Society plans a sweeping three-part exhibition to showcase every masterpiece from its unparalleled collection of John James Audubon’s preparatory watercolor models for the sumptuous double-elephant-folio print edition of The Birds of America (1827–38). Over three years Audubon’s Aviary: The Complete Flock (Parts I–III), will feature all 474 stunning avian watercolors by Audubon in the collection, alongside engaging state-of-the-art media installations that will provide a deeper understanding of the connection between art and nature.

John James Audubon (1785-1851), Great Egret (Ardea alba), 1821. Watercolor, graphite, pastel, gouache, white lead pigment, black ink, and black chalk with selective glazing on paper, laid on card. New-York Historical Society, Purchased for the Society by public subscription from Mrs. John J. Audubon, 1863.18.30

The trilogy Audubon’s Aviary: The Complete Flock is a once-in-a-lifetime series (2013–2015) that will explore the evolution of Audubon’s dazzling watercolors in the order in which they were engraved. Visitors to New-York Historical will have the unique opportunity to view these national treasures sequentially and in their entirety for the first time—the same way his original subscribers received the Havell plates.

Lincoln’s and Other Sparrows for The Birds of America

May 13 2009 - Dec 3 2009

The New-York Historical Society, which holds all 435 dazzling preparatory watercolors for John James Audubon's The Birds of America (1827-38), continues to showcase a thematic selection of these masterpieces, rotating them to ensure that these national treasures remain available to future generations.

Lincoln's Sparrow (Melospiza lincolnii), Havell plate no. 193, 1833, John James Audubon, 1785-1851, Watercolor, graphite, pastel, and gouache with touches of black ink and selective glazing on paper, laid on card, Credit Line: Purchased for the Society by public subscription from Mrs. John J. Audubon, 1863.17.193

Sparrows: Good Things Come in Small Packages

Paintings >

Teaser: 

The New-York Historical Society houses an outstanding collection of over twenty-five hundred American paintings—primarily portraits, genre scenes and landscapes—dating from the colonial period through the twentieth century, as well as a select number of European works. It includes the personal collection of the New York merchant and pioneering art patron Luman Reed, as well as the collection of Robert L. Stuart, another nineteenth-century New York philanthropist and art collector.

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Drawings >

Teaser: 

One of the jewels in the Museum’s crown is its drawing collection, numbering over 8,000 sheets. Collected since 1816, this distinctive trove is the country’s earliest public drawing collection. It is also one of the finest, whose strength resides in its unparalleled late eighteenth- and early nineteenth-century material to furnish a comprehensive survey of American art from its inception, dominated by European artists, up through the 1860s, by which time native-born artists had asserted an American identity.

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Highlights >

Teaser: 

The New-York Historical Society Museum and Library houses a treasure trove of materials relating to the founding of our country, the history of art in America, and the history of New York and its people. The Museum houses more than 60,000 works and artifacts, including fine art, decorative art, historical artifacts, and ephemera. Fine art holdings include renowned Hudson River School landscapes; masterpieces of colonial and later portraiture; John James Audubon’s watercolors for The Birds of America; an encyclopedic collection of sculpture; and much more.

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