Bargaining for a Horse (Farmers Bargaining)

Bargaining for a Horse (Farmers Bargaining)
Bargaining for a Horse (Farmers Bargaining)
Title
Bargaining for a Horse (Farmers Bargaining)
Date 
1835
Medium 
Oil on canvas
Dimensions 
Overall: 24 x 30 in. ( 61 x 76.2 cm ) frame: 35 1/2 x 41 1/2 x 5 1/2 in. (90.2 x 105.4 x 14 cm)
Credit Line 
Gift of The New-York Gallery of the Fine Arts
Object Number 
1858.59
Gallery Label 
Bargaining for a Horse, which was painted for the New York collector and art patron, Luman Reed, is perhaps Mount's best-known canvas, and was called Farmers Bargaining by Reed and was exhibited under that title at the National Academy in 1836.
Provenance 
Luman Reed, d. 1836; Mrs. Luman Reed, New York, 1836-44; New-York Gallery of the Fine Arts, 1844-58.
Bibliography 
"National Academy of Design," The Evening Post, [New York], April 27, 1836, p. 2. "National Academy," The New York Herald, May 17, 1936, p. 1. "National Academy of Design," The Evening Post, [New York], May 25, 1836, p. 2. "The Fine Arts. National Academy of Design," The New-York Mirror, Vol. 13, June 25, 1836, p. 414. "Editor's Table," The Knickerbocker, 8, July, 1836, p. 115. Leslie, Eliza, The Gift: a Christmas and New Year's present, Philadelphia: Cary & Hart, 1839, plate opposite p. 256. Tuckerman, Henry T., Book of the Artists. American Artist Life, Comprising Biographical and Critical Sketches of American Artists, preceded by an historical account of the rise and progress of art in America, New York: G.P. Putnam & Son, 1867, pp. 420-1. The New-York Historical Society Quarterly Bulletin, Vol. IV, No. 3, October, 1920, p. 86. "Mount's 'Bargaining for a Horse,'" Technical Studies, Vol. VIII, No. 1, July, 1939, n.p. Cowdrey, Mary Bartlett, William Sidney Mount, 1807-1868, an American Painter, New York: Metropolitan Museum of Art, 1944, pp. 16-7, 25-6, 39, 41. "William Sidney Mount: Painter Made Long Island His Italy," Life, June 25, 1945, pp. 64-8. Wright, Nathalia, Letters of Horatio Greenough American Sculptor, Madison, WI: The University of Wisconsin Press, 1972, pp. 205-6. Frankenstein, Alfred, William Sidney Mount, 1807-1868, New York: Abrams, 1974, pp. 27, 69-72, 74-6, 94, 117, 149, 153, 158, 164, 166-8, 177-8, 184-5, 200, 266-8, 469, 473. Lynes, Russell, "Luman Reed: A New York Patron," Apollo Magazine, February 1978, pp. 124-29. Hoover, Catherine, "The Influence of David Wilkie's Prints on the Genre Paintings of William Sidney Mount," American Art Journal, Vol. 13, No. 3, Summer 1981, pp. 5-33. Koke, Richard J., American Landscape and Genre Paintings in the New York Historical Society, Vol. I, New York: The New-York Historical Society, 1982, pp. 393-401. Cassedy, David, and Shrott, Gail, William Sidney Mount: Works in the Collection of the Museums at Stony Brook, Stony Brook, NY: The Museums at Stony Brook, 1983, pp. 18-9. Johns, Elizabeth, "The Farmer in the Works of William Sidney Mount," Art and History: Images and Their Meaning, Cambridge, Cambridge University Press, 1988, pp. 257-81. Johnson, Deborah H., William Sidney Mount: Painter of American Life, New York, The American Federation of Arts, 1998, pp. 12-3, 36-8, 81-2, 113, 116, 118, 120, 130, 136, 144, 149. Weinberg, H. Barbara, and Barratt, Carrie Rebora, eds., American Stories: Paintings of Everyday Life 1765-1915, New York: The Metropolitan Museum of Art, 2009, pp. 35-6, 72. Gallati, Barbara Dayer, "American Genre painting and the Rise of 'Average Taste,'" The Magazine Antiques, November/December, 2011, pp. 134-141.
Due to ongoing research, information about this object is subject to change.
Creative: Tronvig Group