New York illustrator, portrait painter, and political cartoonist David Edward Cronin served in the Union Army as a staff artist for Harper's Weekly and came face to face with the grim realities of slave life. Cronin's painting of a group of desperate fugitives makes reference to the Fugitive Slave Act of 1850, a controversial law that empowered federal commissioners to pursue fugitive slaves in all states and return them to their owners. The painting was likely inspired by Henry Wadsworth Longfellow's poem, "The Slave in the Dismal Swamp," first published in 1842:
In dark fens of the Dismal Swamp
The hunted Negro lay;
He saw the fire of the midnight camp,
And heard at times a horse's tramp
And a bloodhound's distant bay.
Where hardly a human foot could pass,
Or a human heart would dare,
On the quaking turf of the green morass
He crouched in the rank and tangled grass,
Like a wild beast in his lair.
A poor old slave, infirm and lame;
Great scars deformed his face;
On his forehead he bore the brand of shame,
And the rags, that hid his mangled frame…
Gift of Daniel Parish, Jr.
Due to ongoing research, information about this object is subject to change.
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New-York Historical Society
170 Central Park West
at Richard Gilder Way (77th Street)
New York, NY 10024