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Shrewsbury River, New Jersey

Title:
Shrewsbury River, New Jersey
lass="field field-name-field-e-bibliography field-type-text-long field-label-above">
Bibliography: 
"Sketchings," The Crayon, Vol. VI, March 1859, p. 91. Koke, Richard J., American Landscape and Genre Paintings in the New York Historical Society, Vol. II, New York: The New-York Historical Society, 1982, p. 242. Mitchell, Mark D., and Manthorne, Katherine E., "Luminism Revisited: Two Points of View," Luminist Horizons: The Art and Collection of James A. Suydam, New York: George Braziller, 2006, pp. 121-43
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56 324
Is owned by NYHS: 
Yes
Date: 
1859
Medium: 
Oil on canvas
Classification: 
Dimensions: 
Canvas: 18 1/2 x 30 1/2 in. (47 x 77.5 cm)Frame: 32 x 44 x 3 1/2 in. (81.3 x 111.8 x 8.9 cm)
Date End: 
1 859
Description: 
Depicts, in a horizontal format, the estuary landscape of the Shrewsbury River near Red Bank, New Jersey. A wooded promontory of the Navesink Highlands, at left, is juxtaposed with areas of calm, flat water, punctuated with reeds, and dotted with the white sails of pleasure craft. The tranquil scenery is bathed in light emanating from a vast expanse of sky.
Credit Line: 
The Robert L. Stuart Collection, on permanent loan from the New York Public Library
Object Number: 
S-229
Gallery Label: 
Reflects Kensett's distinctive mature style featuring reflective expanses of water along the northeastern seaboard set against a brilliant and seemingly limitless sky. The radiant light, and calm stillness of the water exudes divine presence and an enveloping mood of reverie, offering a contemplative and spiritually imbued interpretation of American scenery akin to that described by the American Transcendentalist writers, Ralph Waldo Emerson and Henry David Thoreau.
Provenance: 
Kensett's brother, 1859; Robert L. Stuart, New York City, ca. 1865; Lenox Library, later New York Public Library, 1892-1944
Date Begin: 
1859
Due to ongoing research, information about this object is subject to change.
Creative: Tronvig Group