One of the jewels in the Museum’s crown is its drawing collection, numbering over 8,000 sheets. Collected since 1816, this distinctive trove is the country’s earliest public drawing collection. It is also one of the finest, whose strength resides in its unparalleled late eighteenth- and early nineteenth-century material to furnish a comprehensive survey of American art from its inception, dominated by European artists, up through the 1860s, by which time native-born artists had asserted an American identity. Stellar clusters after that time include around 640 drawings by James Carroll Beckwith, ten of which are the earliest portraits of John Singer Sargent known; six sheets by Sargent and watercolors by Louis Comfort Tiffany. Beginning with rare colonial objects collected for their historical interest, the collection documents major events in the history of the nation. It also records the cultural firmament, for example, the highly significant 217 16th-century watercolors of European birds by Pierre Eskrich and colleagues collected by their donor that antedate the publication of the first printed ornithological treatises.
While panoramic in scope, the New-York Historical Society's drawing collection encompasses large holdings by a single artist or group. Among the highlights are the 500 watercolors by John James Audubon, including all 435 preparatory for The Birds of America. These national treasures form the centerpiece of the Historical Society's Audubon holdings, the largest repository of Auduboniana in the world. Others are the 221 "outline" drawings of George Catlin recording Native American culture; an incredibly rich cluster of drawings by Hudson River School artists such as Thomas Cole, Jasper Cropsey, and John Frederick Kensett; and all the known watercolors by William Guy Wall for the seminal The Hudson River Portfolio (1820–1825), the namesake of the nation's first indigenous landscape school that set the itinerary for the American Grand Tour. It also numbers over 350 drawings and sketchbooks of Asher B. Durand.
Landscape, including cityscapes, is another significant category; the earliest is a 1650 view of New Amsterdam, after which a legion of draftsmen recorded New World