New-York Historical Society

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Clausen Coope (1876-after 1940), Miss Maude Adams (1872-1953), 1902. New-York Historical Society, Gift of the Estate of Peter Marié, 1905.1

Legendary stage actress Maude Adams made her Broadway debut in 1888 and achieved greatest acclaim in the role of Peter Pan. As the “Boy Who Wouldn’t Grow Up,” she appeared in more than 1,500 performances and earned an astronomical $20,000 a month. Adams was rarely seen in public outside the theatre, and it is unlikely that Peter Marié knew her personally. He probably commissioned this miniature from a publicity photograph.

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Meave Thompson Gedney (1863-1905), Mrs. William Waldorf Astor (Mary Dahlgren Paul, 1856-1894), ca. 1890. New-York Historical Society, Gift of the Estate of Peter Marié, 1905.10

A native of Philadelphia, Mary Paul married New Yorker William Waldorf Astor in 1878. In 1882, the Astors moved to Rome after William was appointed American minister to Italy, and they established a residence in England in 1890. Mrs. Astor became a society leader in New York, Rome, and London. She shared her married name with her husband’s aunt and social rival, Mrs. William (Caroline) Astor, the undisputed queen of New York society. Caroline Astor boldly claimed the title of ¬the Mrs. Astor.

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Fernand Paillet (1850-1918), Mrs. Grover Cleveland (Frances C. Folsom, 1864-1947), 1891. New-York Historical Society, Gift of the Estate of Peter Marié, 1905.44

Frances Folsom of Buffalo, New York, married President Grover Cleveland at the White House on June 2, 1886. The twenty-one-year-old bride was, and remains, the nation’s youngest First Lady. After Cleveland’s defeat in the 1888 presidential election, the couple lived in New York City. “Frank,” as she was known to friends and family, became a leader of New York society and forged important connections that helped return her husband to the White House.

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Katherine Arthur Behenna (ca. 1860-1924), Lydia Field Emmet (1866-1952), 1893. New-York Historical Society, Gift of the Estate of Peter Marié, 1905.76

Lydia Emmet was the most accomplished artist of the Emmet family. In 1893, the year this portrait was executed, she was selected to paint murals in the Women’s Building at the World’s Columbian Exposition. Her artistic endeavors also included designing stained glass windows for Louis Comfort Tiffany, producing illustrations for Harper’s Bazaar, and painting an official portrait of the First Lady on the commission of President Herbert Hoover.

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Meave Thompson Gedney (1863-1905), Mrs. Bradley Martin (Cornelia F. Sherman, 1843-1920), 1897. New-York Historical Society, Gift of the Estate of Peter Marié, 1905.156

Mr. and Mrs. Bradley Martin gained notoriety for their lavish masquerade ball held at the Waldorf-Astoria Hotel in 1897. Mr. Martin dressed as Louis XV, while Mrs. Martin presided as Mary, Queen of Scots, in a costume valued at over $400,000. This miniature depicts her in the extravagant ensemble, which included jewels that had once belonged to Empress Josephine of France. The couple endured scathing criticism for holding such a conspicuously excessive event during a time of economic depression. They moved to England to escape the scandal.

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Carl A. (1865-1906) and Fredrika Weidner (b. 1865), Mrs. Edwin Main Post (Emily Bruce Price, 1873-1960), 1901. New-York Historical Society, Gift of the Estate of Peter Marié, 1905.198

Emily Price met her future husband, Edwin Main Post, at a ball held at a posh Fifth Avenue mansion. Their disastrous marriage ended in divorce after Mr. Post’s philandering with chorus girls and aspiring actresses became a public scandal. The resourceful Emily Post went on to achieve lasting fame as a public arbiter of etiquette, publishing her first book on the subject in 1922. The Emily Post Institute continues to provide guidance on etiquette and civility in print and online.

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Katherine Arthur Behenna (ca. 1860-1924), Mrs. Elliott Roosevelt (Anna Hall, 1863-1924), 1893. New-York Historical Society, Gift of the Estate of Peter Marié, 1905.216

Eleanor Roosevelt opened her autobiography with the declaration: “My mother was one of the most beautiful women I have ever seen.” She elaborated, “Old Peter Marié, who gave choice parties and whose approval stamped young girls and young matrons a success, called my mother a queen, and bowed before her charm and beauty, and to her this was important.” Katherine Behenna successfully captured Anna Roosevelt’s beauty and charm in this intimate portrait.

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