Spanning nearly four decades of physical and social transformation in a neighborhood that is fabled around the world, the exhibition Harlem 1970–2009: Photographs by Camilo José Vergara will be on view at the New-York Historical Society from April 30 through July 12, 2009.
The New-York Historical Society houses an outstanding collection of over twenty-five hundred American paintings—primarily portraits, genre scenes and landscapes—dating from the colonial period through the twentieth century, as well as a select number of European works. It includes the personal collection of the New York merchant and pioneering art patron Luman Reed, as well as the collection of Robert L. Stuart, another nineteenth-century New York philanthropist and art collector.
One of the jewels in the Museum’s crown is its drawing collection, numbering over 8,000 sheets. Collected since 1816, this distinctive trove is the country’s earliest public drawing collection. It is also one of the finest, whose strength resides in its unparalleled late eighteenth- and early nineteenth-century material to furnish a comprehensive survey of American art from its inception, dominated by European artists, up through the 1860s, by which time native-born artists had asserted an American identity.
The New-York Historical Society Museum and Library houses a treasure trove of materials relating to the founding of our country, the history of art in America, and the history of New York and its people. The Museum houses more than 60,000 works and artifacts, including fine art, decorative art, historical artifacts, and ephemera. Fine art holdings include renowned Hudson River School landscapes; masterpieces of colonial and later portraiture; John James Audubon’s watercolors for The Birds of America; an encyclopedic collection of sculpture; and much more.